okodunboyne
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, and like in most other nights with writing ahead, it prompts the way of high thinking as the drone of the hum of the dry moving cars cascades upwards in my ears exposed to the world. A current of time that brings force headphones put on.
I begin with Electric Counterpoint: II. Slow as a sequence of sounds entering my ears from the minds of Steve Reich and Mats Bergström. I can't recall how I came to these sounds, but I have a best guess.
The next sounds I know from a trailer code-named 45365, and with it I was happily surprised to discover there's an out of Egypt, into the great laugh of mankind, and I shake the dirt from my sandals as I run edit (when you're copying words from elsewhere the in between time [between quantum observation] loses memory, so I write down edit as a gift of reminder to my future self but tonight as I edit I decline to remove) from Sufjan Stevens, a man with a preternatural ability to gift a new song from some before time when you thought you’d already long experienced all there was of his you liked, thus teaching me I was wrong
You can better balance leftward a container atop a bar when there’s water hitting the right from some place above I came to realize when I was balancing my filter as Carolyn's fingers played Cocteau twins in my ears
To clean your data, just as when you’re cleaning your dishes, you come to realize quickly that you need to start one step earlier than you imagined in order to achieve your goal sufficiently. This truth is true whether or not athol-brose is blaring into your ears Cocteau twins, though it was the case for me this evening.
When oracle plays machinedrum, aja monet, it has me wondering where I can find other people dancing by themselves as they tap-tap-tap their raw consciousness into the notepad of their phones
What are some weird-rocky bedroom pop songs you have on offer? I bring with me to the digital courtyard horseshoe hooky, winter, and wait with ears peaked
One track I don't bring with me to the courtyard because it feels more like real me is the digital repetitiveness of coum death in vegas. This digital repetitiveness moves me like a wave; a realness brought more true by the form of my dance
Tonight's bit of wonder brought me to thinking that it’s one of my best when I need getting out from a useless path ahead, for it brings me naturally to the act of dance out rock, from which I return with a new way of thinking; me: a Milhouse listening to en attendant ana
Another phrase from my individual vocabulary of Latin is nothing ever happened, and at this early point in its sequence it reminded what I earlier had wondered: is the best way to have a long term impact with language to be a catalyst in pulling autocorrect further into one particular direction? The sounds I bring to my ears come from you know who you who know
Another phrase from my coding of language is asiwyfa ii dive pt 2, with expanded frameworks allowing and so I watch you from afar
Some bells don't come around so often I've noticed; me: one of those persons never having heard electrelane's loudness played in public, with its clanging of keys astride distorted guitar strokes in sequence of length with which to build a powerful sound
I've yet to be convinced that it's a bad idea to end ones writing with #ishallove2, for tonight it envisaged a reminder of kindness to release without edit
85
I begin with Electric Counterpoint: II. Slow as a sequence of sounds entering my ears from the minds of Steve Reich and Mats Bergström. I can't recall how I came to these sounds, but I have a best guess.
The next sounds I know from a trailer code-named 45365, and with it I was happily surprised to discover there's an out of Egypt, into the great laugh of mankind, and I shake the dirt from my sandals as I run edit (when you're copying words from elsewhere the in between time [between quantum observation] loses memory, so I write down edit as a gift of reminder to my future self but tonight as I edit I decline to remove) from Sufjan Stevens, a man with a preternatural ability to gift a new song from some before time when you thought you’d already long experienced all there was of his you liked, thus teaching me I was wrong
You can better balance leftward a container atop a bar when there’s water hitting the right from some place above I came to realize when I was balancing my filter as Carolyn's fingers played Cocteau twins in my ears
To clean your data, just as when you’re cleaning your dishes, you come to realize quickly that you need to start one step earlier than you imagined in order to achieve your goal sufficiently. This truth is true whether or not athol-brose is blaring into your ears Cocteau twins, though it was the case for me this evening.
When oracle plays machinedrum, aja monet, it has me wondering where I can find other people dancing by themselves as they tap-tap-tap their raw consciousness into the notepad of their phones
What are some weird-rocky bedroom pop songs you have on offer? I bring with me to the digital courtyard horseshoe hooky, winter, and wait with ears peaked
One track I don't bring with me to the courtyard because it feels more like real me is the digital repetitiveness of coum death in vegas. This digital repetitiveness moves me like a wave; a realness brought more true by the form of my dance
Tonight's bit of wonder brought me to thinking that it’s one of my best when I need getting out from a useless path ahead, for it brings me naturally to the act of dance out rock, from which I return with a new way of thinking; me: a Milhouse listening to en attendant ana
Another phrase from my individual vocabulary of Latin is nothing ever happened, and at this early point in its sequence it reminded what I earlier had wondered: is the best way to have a long term impact with language to be a catalyst in pulling autocorrect further into one particular direction? The sounds I bring to my ears come from you know who you who know
Another phrase from my coding of language is asiwyfa ii dive pt 2, with expanded frameworks allowing and so I watch you from afar
Some bells don't come around so often I've noticed; me: one of those persons never having heard electrelane's loudness played in public, with its clanging of keys astride distorted guitar strokes in sequence of length with which to build a powerful sound
I've yet to be convinced that it's a bad idea to end ones writing with #ishallove2, for tonight it envisaged a reminder of kindness to release without edit
85