Ruskin
will smack you one
Got it this morning. I'm not really sure what to think.
Tracks 1 - 4 are unapologetically 'protoculture' - frequent break-downs, very similar sounding build-ups, samples and rolling bass-lines. I've always been a fan of the man's style, and individually these tracks are pretty good, but there is little variation between them (dare i say the word 'un..orig....inal'?)
From tracks 5 - 8, however, things seem to get a little different. There's more of a techy, biting feel to the runs and a little less emphasis on the floatiness and big melodies heard earlier on. There are still the classic protoculture tweaks and tricks, and the production is as ever beautifully crisp, but it's nice to hear some tunes which bite a little harder than those of his output thus far. Track 5 - Innit - is a good example.
Track 9 is a downbeat, breaksy number which sails along nicely and unobtrusively to see out the album. Some more of this - or at least something to properly deviate from the norm - would be most welcome in the future.
Tracks 1 - 4 are unapologetically 'protoculture' - frequent break-downs, very similar sounding build-ups, samples and rolling bass-lines. I've always been a fan of the man's style, and individually these tracks are pretty good, but there is little variation between them (dare i say the word 'un..orig....inal'?)
From tracks 5 - 8, however, things seem to get a little different. There's more of a techy, biting feel to the runs and a little less emphasis on the floatiness and big melodies heard earlier on. There are still the classic protoculture tweaks and tricks, and the production is as ever beautifully crisp, but it's nice to hear some tunes which bite a little harder than those of his output thus far. Track 5 - Innit - is a good example.
Track 9 is a downbeat, breaksy number which sails along nicely and unobtrusively to see out the album. Some more of this - or at least something to properly deviate from the norm - would be most welcome in the future.