Sorry dude but that whole post is utter garbage.
<FONT color=#c6cdf3>Your math’s is waaaay off the mark. The extra 3db comes from having twice the power not an extra speaker - so four cabs = 6dB increase if each driven with the same power. This still works with a stereo system NOT just a single stack. For efficient coupling the cabs need to be within 1/3rd of a wavelength of each other (constructive mutual coupling) - stereo stacks should always be more than 3 wavelengths apart to avoid destructive coupling and phase cancellation.<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com /><o:p></o:p></FONT></P><P style=
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Generally its only a good thing to couple bass bins and subs, as coupling mids and tops without properly arraying them can cause "beaming" (only any good when LONG throw is needed)and "comb filtering" (not wanted at all)<o:p></o:p>
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Doing the mono thing with a phase inverted stack is utter bullshit (sorry not feeling like being polite today) its a waste of time and amp power. Stereo will put out more dB and give a much more even frequency response around the venue. Playing Psy-trance in mono makes it sound compressed and lifeless, yes you may get a slightly higher average sound pressure, but the peak level (where the "life" of the music lies) remains the same.<o:p></o:p>
Anyone who attended the Wingmakers outdoor party a few months ago will vouch for that - for the first 5 hours the engineer ran the system in MONO, it was bloody awful - after Tristans set it was patched back into stereo and sounded a shit load better. less compressed and far more punchy, with much more musicality.<o:p></o:p>
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The only time that MONO works is on SUBS below 120Hz - in this case its far, far better to have a single central stack than one stack either side (in mono/stereo or some phase shifted bullshit)<o:p></o:p>
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BTW - Phase shifting like that used to be used for a "pseudo-stereo" effect and has no place what so ever in any form of modern dance music.<o:p></o:p>
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The whole point of having speakers in phase is so the all push together, i.e. maximum change of air pressure with signal. Having one stack pull while the other pushes is fundamentally flawed. More to the point it gives the music a sucked out sound, that makes my head hurt! If i tried that on some of the big systems I’ve engineered it would probably make people motion sick!<o:p></o:p>
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So in summary:-<o:p></o:p>
Bass in MONO, yep every time, even better if its all in one stack!<o:p></o:p>
Mids/Tops in MONO no way they are written in stereo for a reason.<o:p></o:p>
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As for the stereo/Mono challenge I’ll take you up on that and prove you very wrong, either indoors or out!<o:p></o:p>
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A properly engineered sound system should not influence the music, or add any character of its own, it has only one purpose making the music louder, this should be done without influencing the dynamics or tonal balance.<o:p></o:p>
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Plank!<o:p></o:p>