Yes, i agree that it became easier since kick 2 came out.
.
One of the best ways I've found to get started with a psy track is to get a really, good, comfortable kick and bass going. (I think somebody else mentioned that). There are a couple of reasons for this: (1) It's kind of the heart and soul of any psy track. The upper levels of the track would not stick together or have anywhere near the same level of impact if you were working with a mediocre kick and bass; (2) Another benefit of starting tracks this way is that that is the piece of the track that you will be listening to the longest throughout production--you made it first, you hear it the longest. The benefit to this is that, in general, the longer you can listen to a kick and bass and not get bored of it, the better. So, for us producers, if we can still jam on a kick and bass we made two weeks ago and have heard every day, that's generally a pretty good sign--it's like a built in check-up tool for producers on the k/b. So that's a good place to start.
Another good place to start, if you're kind of just feeling creative and not really wanting to work so much on getting the technical aspects of a region down, would be to get a kind of "ok" k/b going, just for the sake of priming your creative juices, and make patches. So lay down some k/b, some simple perc, and just go to town creatively on the higher level of the track. This is a lot of fun but let me give you some advice before you get into this so that your fun factor will triple...(1) if you can, record yourself while you're working on patches and come back to the recording a week or so later. It may sound narcissistic but the idea behind it is that you literally gain access to a third person view of what you were making and wrestling with and this can significantly help you figure out what you really liked and didn't like about what you were making; (2) if you can, enable the clock in your daw and, depending upon how much freestyling you're doing, either save your patches (no matter what) every 10 minutes or so (it can be longer or shorter according to your liking) and your actual project files as well--if you're messing around with some composition. I thought I had one more good piece of advice but it appears to have slipped my mind lol. Onward!
If you're already pretty proficient with hardstyle, you'll probably have a pretty good background for percussion production and workflow--if you're able to tie it in nicely to the above mentioned pieces of advice, you shouldn't have that much of a problem in generating some good percussion. A bit of a warning though: hardstyle tends to have broader sounds in all directions but specifically when it comes to your kick and your snares--and sometimes your hihats. A trick for kind of translating them over to psy is just to really refine the shit out of them. Eq them down, layer properly, compress well, etc--it's kind of all about refinement in this area and, especially if you're used to sample-driven production, this will help you a lot in getting your kick and percussion slightly adjusted to the psy way of doing things.
I can't think of anything else off of the top of my head in terms of just getting started and translating over from hardstyle but hopefully this helps!
Let me know if you run into anything else! I'd be happy to talk with you about it
Take it easy.
. . 
Lol. I think you're a little used to making trance
Psytrance very, very, very, if ever, makes those super obvious chord changes that you hear a lot in regular trance music. It's generally frowned upon, personally by me, because it's very detrimental to the continuity of the Trance state--go figure. Same thing with the bassline. Psytrance basses are more rolling, repetitive, and droney than other styles. This is why it can take a lot of people a long time to craft their first, good, psytrance bassline. It has to play for a while so it has to also remain interesting for a while. Here is a link to some of the "core" psytrance basslines that you can mess with:
It sounded cool for the first like 10s or so. I thought you were going to do some like spacey, orchestral intro or something, but then it kinda just went on imo.
The psy sounds you made could use a bit of work too. They're not too bad from a beginner's standpoint but they could definitely use some more character. You might consider saving that preset and coming back to it later.
The bpm needs to be picked up a bit--or the speed of the k/b engineered differently.
Your kick, I think it is, is doing a kind of "flick-thump" thing at the end of each hit--so I'd look into that if you wanted to keep going with this project file.
If you're trying to make more traditional psy, I would just start a new project file and start work from the ground up. Maybe forget about the leads for a little while and throw some percussion in there. It'll be easier to say how you're doing with psy if you have all your elements present rather than just the k/b and some leads.
So ye, compositionally, it doesn't fit with psy very well, and sound engineering-wise, it doesn't fit with psy very well. I'd just start a new project and work on the k/b, a bit of percussion, and your leads.
The intro was nice though
Keep at it. Feel free to drop me a link or question with anything you might have.
