geoffwiffen said:
hey hey with quotes like that you better get your tracks out studio elf and blow us all away!
When it's ready, and not a moment before.
its dance floor effective for sure!
So are Lisa Pin-up's mixes. Doesn't mean they're any good. :P
SeanRudz said:
Are u willing to let us have a ganders/critical ear at your hard work?
*sigh*
Like I said, when they're ready.
The reason I always play my cards close to my chest in situations like this is because I want to produce good music.
I'd like to create a sound that is chunky, but relatively unique - with a bit of madness thrown in for good measure - not just :
Slap down a kick drum and open hi-hat loop,
a breakbeat out of Stylus,
3 variations on a 16th-note bassline, then:
Layer a couple of 3-note pentatonic melody synths over each bassline variation,
Stick a few Hi-passed twizzly synth noises over it,
Futz intro/outro out of aforementioned synths
then release it.
I probably *could* get away with it if I wasn't so uptight about wanting to actually make something of decent quality. Thus far only a small fraction of what I've done has met the standard I'm after, and I'd rather have a decent body of work to play to people than just chuck out the first thing I write that's semi-decent.
So I'm not ready yet - it doesn't mean that I'm not allowed an opinion, does it?
J.
(And Eskimo practically *is* hard house, Sean - buildupbuildupbuildupbuildupbuildupbuildup Boom! Wungawungawunga...buildupbuildup... and so on...)