Scanned back through the thread and couldn't see any Lankum (!), so here ya go, been loving this lately:
Oh, I love these, especially the doom-like elements in the first tune, breaking into a reel during the live performance and that gravelly bottom end in the third. Added to the list, thank you.
Folksy offerings I have been dipping into over the past year:
Starling Arrow, who I discovered through TD. Lovely songs with gorgeous harmonies and wafts of Appalachia.
from the album Cradle
starlingarrow.bandcamp.com
The new release by Laboratorium Pieśni, whose album
Rasti I absolutely loved, especially their version of
Dilmano Dilbero. If you like Le Mystère des Voix Bulgares and the like, then you'll probably do OK with LP. I sure would like to sit round a campfire under a full moon with these ladies.
from the album Hé oyáte
laboratoriumpiesni.bandcamp.com
Still in Eastern Europe, I had a massive obsession for this old track by Hungarian band Muzsikás last year only to discover that they are also responsible for the haunting acapella recording featured on the soundtrack for
The English Patient, called
Szerelem, Szerelem, so I bought the full album. Something I like about them, especially in
Régen volt, is that sometimes they sound Celtic, sometimes Arabic, sometimes Appalachian, as well as having their own distinct Eastern European flava, reflecting something of their geography and the overlapping influences of different traditions. Also, what a gorgeous voice!
Provided to YouTube by HungarotonRégen volt, soká lesz · MuzsikásNem arról hajnallik, amerről hajnallott...℗ 1986 HUNGAROTON RECORDS LTD.Released on: 1986-09...
www.youtube.com
I have a lot of time for Stick In The Wheel, who blend English traditional with more contemporary approaches such as folktronica and spoken word. The combination feels genuinely progressive, yet they keep things real and have a proper street music vibe. I really like this EP of live reworkings from past releases, a couple of which I own. Can also recommend their English Field Recording comps featuring artists from around the country.
from the album Endurance Soundly Caged
stickinthewheel.bandcamp.com
Last but not least, musician and academic Angeline Morrison, who released two records last year. I particularly liked some of the original material on
The Sorrow Songs - she clearly has a deep understanding of British folk and cannily adopts a musical style instantly recognisable to traditionalists, but her lyrics centre black stories, including this one about a Welsh gardener in the eighteenth century, reinserting them into said tradition, which is almost exclusively white.
Black John is taken from the new album, The Sorrow Songs: Folk Songs of Black British Experience, available now: https://angelinemorrison.lnk.to/thesorrowson...
www.youtube.com